Time to crack open the Bolly, darlings: Eddy and Pats are back just in time for the Olympics!
"Nooo, I was going to be thin!"
(My favourite piece of fashion wisdom are the immortal words uttered by one Eurydice Colette Clytemnestra Dido Bathsheba Rabelais Patricia Cocteau Stone: "You can never have enough of... hats, shoes and gloves." I mean, darling, even Amanda de Cadenet would have remembered the word "accessories".)
One should either be a work of art or wear a work of art
2012-07-25
2012-07-24
Surreal Summer
I love Pinterest, but it has made me question the function of fashion blogging. Why should one try to whip up the traditional "Inspiration Posts" when it's so easy to share mind-blowing visuals without usual, useless crap about how this makes me feel like that pop song and how I wanna look like that in the autumn and oooh I wish I only had her legs? A blogger's existential crisis, if you will.
But sometimes one happens on something so exceptional one can't keep her mouth shut. These pictures were shared by Rodeo magazine's exceptional fashion journalist Agnes B. Salvador Dali took the entire control of the French Vogue's December issue in 1971. The fashion editorials, articles, even the adverts were masterminded by the artist.
A recurring theme seems to be the Chairman Mao - surely a commentary of Warhol's work on the same iconography at roughly the same time? The cover mixes two pop art icons, Mao and Marilyn.
And what do you know - I did find inspiration for what to wear this autumn or on these chilly summer days we've been having: Another pop icon and artist, the inimitable Veruschka dressed as Mao, by a gloomy looking lake. (The surrounding poetry is also by Mao.)
The British and French Vogue still sometimes put up interesting collaborations with visual artists. Dear Finnish magazine editors (I know some of you are reading), how about following suit? Mao suit.
But sometimes one happens on something so exceptional one can't keep her mouth shut. These pictures were shared by Rodeo magazine's exceptional fashion journalist Agnes B. Salvador Dali took the entire control of the French Vogue's December issue in 1971. The fashion editorials, articles, even the adverts were masterminded by the artist.
A recurring theme seems to be the Chairman Mao - surely a commentary of Warhol's work on the same iconography at roughly the same time? The cover mixes two pop art icons, Mao and Marilyn.
The Revillon ad with children is deliciously creepy, and yes, surreal.
2012-07-08
Good things come to those who wait
This past month, I've been mostly watching football and curating my burgeoning collection of Ann Demeulemeester masterpieces. In other words, I managed to snatch a couple of past season goodies that had been loitering in my Yoox dreambox, at a very agreeable discount price.
As someone whose income doesn't quite meet the requirements of her expensive taste, I've long since given up trying to buy on-trend pieces. Can't really afford the designer garb and don't really feel satisfied with high street knock-offs. Instead, I tend to look at my favourite designers' collections trying to identify pieces that could become my wardrobe classics and try to get them later. Fortunately, my conception of must-have pieces seems to be a bit odd, so I usually get very lucky at sales and discount stores or second-hand shopping. Of course I'm still very much affected by trends, for instance this summer I want to wear trousers with floral or abstract prints and something that floats behind me, just like all the other cool kids in flower jeans or mullet skirt.
I fell in love with Demeulemeester's hazy black-and-white print as soon as I saw the spring-summer 2010 collection. Now that I have these stove-pipe pyjama pants in black silk satin, I still don't know whether the print is a bird or a flower, but I love love love it.
(If I ever get married, I'd love to do it in the long skirt from the same collection, white or black.)
The other thing I got is an off-white version in silk chiffon of this wrap-around thing from s-s 2011. It's actually cut like a wrap mini skirt with a long asymmetrical side/back hem. I'll probably wear it on top of a black dress or trousers, or peeking under a longer dress.
(catwalk pics from Style.com)
But enough about me, have you dolls been successful treasure hunting during the summer?
As someone whose income doesn't quite meet the requirements of her expensive taste, I've long since given up trying to buy on-trend pieces. Can't really afford the designer garb and don't really feel satisfied with high street knock-offs. Instead, I tend to look at my favourite designers' collections trying to identify pieces that could become my wardrobe classics and try to get them later. Fortunately, my conception of must-have pieces seems to be a bit odd, so I usually get very lucky at sales and discount stores or second-hand shopping. Of course I'm still very much affected by trends, for instance this summer I want to wear trousers with floral or abstract prints and something that floats behind me, just like all the other cool kids in flower jeans or mullet skirt.
I fell in love with Demeulemeester's hazy black-and-white print as soon as I saw the spring-summer 2010 collection. Now that I have these stove-pipe pyjama pants in black silk satin, I still don't know whether the print is a bird or a flower, but I love love love it.
(If I ever get married, I'd love to do it in the long skirt from the same collection, white or black.)
The other thing I got is an off-white version in silk chiffon of this wrap-around thing from s-s 2011. It's actually cut like a wrap mini skirt with a long asymmetrical side/back hem. I'll probably wear it on top of a black dress or trousers, or peeking under a longer dress.
(catwalk pics from Style.com)
But enough about me, have you dolls been successful treasure hunting during the summer?
2012-06-04
Answered Prayers
Soon after my post about the Aalto University's fashion show - or NäytösXII - lamenting the lack of official catwalk pics of all the fabulousness the students had produced, the photographer Mikko Jylhä put up his shots. I was very impressed by the entire show, and only after a couple of days scrutinizing, able to pick my favourite designers/designer groups.
I'm still in love with the glittery, colourful, boyish good stuff produced by Elina Laitinen, Siiri Raasakka and Tiia Sirén. And no wonder - the trio has already won the prestigious Hyères Grand Prix this spring.
(Backstage photo by Meri Karhu/pintaa, all catwalk photos Mikko Jylhä)
Another fave of mine was some of the menswear designed by Elisa Anttonen, Ella Berglund and Ida-Sofia Tuomisto. (On the whole, I found the menswear lines to be the more interesting - and definitely wearable by women as well. Is this Tuomas Laitinen's influence showing?)
Näytös XII jury awarded its 1500 euro prize to Anna-Mari Leppisaari. And deservedly so, Leppisaari's designs are classicly cut (someone has studied the Balenciaga and Prada archives, non?) with fresh touches (the plastic panels, mix of fabrics).
On a personal style level, I'd love to wear anything by Sara Riikonen. Love the clean "60s by way of 90s" silhuettes. Riikonen just might be what all us working gals are waiting for - the young Finnish designer who can actually cut a wearable blazer!
Anna Alanko's colours and abstract florals are also something I'd love to wear.
Now it's your turn, dear readers! Who are your favourite Näytös XII designers (students's show or/and from the alumni)?
I'm still in love with the glittery, colourful, boyish good stuff produced by Elina Laitinen, Siiri Raasakka and Tiia Sirén. And no wonder - the trio has already won the prestigious Hyères Grand Prix this spring.
(Backstage photo by Meri Karhu/pintaa, all catwalk photos Mikko Jylhä)
Another fave of mine was some of the menswear designed by Elisa Anttonen, Ella Berglund and Ida-Sofia Tuomisto. (On the whole, I found the menswear lines to be the more interesting - and definitely wearable by women as well. Is this Tuomas Laitinen's influence showing?)
Näytös XII jury awarded its 1500 euro prize to Anna-Mari Leppisaari. And deservedly so, Leppisaari's designs are classicly cut (someone has studied the Balenciaga and Prada archives, non?) with fresh touches (the plastic panels, mix of fabrics).
On a personal style level, I'd love to wear anything by Sara Riikonen. Love the clean "60s by way of 90s" silhuettes. Riikonen just might be what all us working gals are waiting for - the young Finnish designer who can actually cut a wearable blazer!
Anna Alanko's colours and abstract florals are also something I'd love to wear.
Now it's your turn, dear readers! Who are your favourite Näytös XII designers (students's show or/and from the alumni)?
2012-06-02
The Fashion Show (or how a Warhol female found her inner teenage dude)
Last week, the fashion design students and four alumni of Aalto University School of Arts, Design and Architecture put on an end of the school year show - and what a show it was!
(Unless otherwise mentioned, all photos by Meri Karhu/Pintaa)
This year, the graduate show was marketed as a part of an emerging "Helsinki Fashion Week" of sorts. For the first time, four Aalto University alumni, who already have their own lines out in the real world, were invited to show along students and graduates. And for the first time ever, the Finnish broadcasting company YLE showed the results on national tv and on the Internet!
The alumni show was cleverly curated by Tuomas Laitinen to showcase four different sides of current Finnish fashion: The fun, contemporary and commercial line by R/H, Sasu Kauppi's extravagant combinations of fine tailoring and exaggerated proportions, Ensaemble's attempts at mystical minimalism (not too far removed from a certain Belgian aesthetic), and the very unique "mad scientist" world of Saara Lepokorpi. If I had to pick one favourite, it'd be Saara's work with its intricate forms and imaginative cuts that still somehow manages to be immensely wearable - or as the designer herself describes it, made for a modern day, female Andy Warhol. Luckily, I don't have to.
(Photo of Saara Lepokorpi SS12 jacket, that I simply have to have.)
The televised alumni show featured commentary by two very sharp experts, Petra Koivisto and Minttu Vesala. In spite of the terribly over-excited hosts with zero fashion knowledge (and too many inserts of people giggling over a glass of bubbly), it was a decent effort. Let's hope they keep growing this show into a veritable chance for the best Finnish labels to showcase themselves, also on national tv. And cut out the cocktail-hour crap.
The students show, however, was even more intriguing than the alumni. I didn't make it to the show itself, but from what I've seen in other blogs and on tv, it was fabulous (and much more professional in every aspect than previous years). Congrats to all designers, stylists, models and the hair&makeup people!
For reasons unbeknownst to a mere mortal fashion fan/blogger/freelance JOURNALIST, there are no proper press photos of the student show available. UPDATE: You can see and share the official catwalk photos by Mikko Jylhä here!
After some pressure from fashion fan(atic)s, YLE kindly put even this part of show on their webpage. My friend Mikko, whose team of stylists were responsible for the amazing hair at the show, has fantastic backstage photos and videos on his blog, Pintaa.
The designers/groups featured were: Elina Laitinen, Siiri Raasakka, Tiia Siren *** Elina Laitinen, Siiri Raasakka *** Harri Niskanen *** Sara Riikonen *** Siru Juntunen *** Reeta Katto *** Elina Anttonen, Ella Berglund, Ida-Sofia Tuomisto *** Anna-Mari Leppisaari *** Maija Sallinen *** Essi Lehto *** Aura Kajaniemi, Vanamo Korell *** Taija Hiltunen, Mikaela Johansson, Olga Sjöroos *** Anna Alanko *** Hanne Jurmu *** Liisa Nieminen *** Annika Heikinheimo *** Laura Juslin *** Anton Hinkonen *** Hanna-Maaria Sinkkonen, Sophie-Louise Sälekari *** Satu Maaranen. (The list supplied by the inimitable fountain of fashion wisdom, Outi Pyy!)
I'd be hard pressed to pick a favourite amongst the individual designers or groups, but as you can see from the photos chosen, somehow I gravitate towards the colourful, decorative yet super functional, lovably boyish stuff by Laitinen-Raasakka-Sirén. (My inner 15-year old DUDE has once again raised his unkempt head, demanding a sequin cap)
All in all, the "first Finnish fashion week" left me with a feeling of an opportunity missed, yet still relentlessly hopeful for better days to come. Is this how it feels for Finnish ice hockey fans? (Picture from Sasu Kauppi's ice hockey themed collection, photographed by the lovely, legendary Mikko Rasila)
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